the wind in the reeds…

January 12th, a cold but very bright day. I escaped from my rather cramped studio, which was being bombarded by noisy builders two doors down, up to the wide open spaces of the Norfolk coast in my mud splattered little Clio…

Saltmarsh (mixed media on board) © Mari French 2012

Saltmarsh (mixed media on board) © Mari French 2012

…welcome to my current favourite spot for sketching – the wide saltmarshes and creeks lying between Thornham and Holme-next-the-sea.

Reedbeds, Thornham Marsh (digital photo) © Mari French 2012

Reedbeds, Thornham Marsh (digital photo) © Mari French 2012

Thornham Marsh (digital photo) © Mari French 2012

Thornham Marsh (digital photo) © Mari French 2012

The easterly wind is bitter and watercolour takes forever drying, so I walk along the raised bank of the sea defences, passing the odd dog walker and bird watcher, flapping my open sketchbook in the sunshine.

Saltmarsh creek © Mari French 2012

Saltmarsh creek © Mari French 2012

Next to the romantically named Hun Outfall Sluice (it’s a manmade kind of small canal, draining the surrounding farmland and marsh), with fish leaping for flies in the sun spangled water, I found a hidden spot down near the reedbeds, out of the bitter east wind and off the main path.

Reedbed sketch © Mari French 2012

Reedbed sketch © Mari French 2012

…here the sun is bright and low (and warm for January) creating interesting light effects through the reeds and a great spot for sketching.

I will be returning soon. Meanwhile, the mixed-media paintings at the start and end of this post show how the day inspired me back in the studio.

remains of staithe (digital photo) © Mari French 2012

remains of staithe (digital photo) © Mari French 2012

Reedbed (digital photo) © Mari French 2012

Reedbed (digital photo) © Mari French 2012

water depth scale (digital photo) © Mari French 2012

water depth scale (digital photo) © Mari French 2012

Saltmarsh 2 (mixed media on board) © Mari French 2012

Saltmarsh 2 (mixed media on board) © Mari French 2012

sketchbook browsing…

Brancaster creek - sketch © Mari French 2011

Brancaster creek - sketch © Mari French 2011

Trawling through my sketchbooks today, for inspiration and to print out and paste into my current workbook for reference.

Some of these are recent… some older, but it was interesting making their acquaintance again.

Thought I’d share…

Rain approaching - watercolour sketch © Mari French 2011

Rain approaching - watercolour sketch © Mari French 2011

haybales catching the sun - watercolour sketch © Mari French 2011

haybales catching the sun - watercolour sketch © Mari French 2011

Poplars and poppies - sketch © Mari French 2009

Poplars and poppies - sketch © Mari French 2009

Reedbeds, Blakeney - sketch © Mari French 2011

Reedbeds, Blakeney - sketch © Mari French 2011

Other artists may experience something similar, but I only have to look at these to be whisked back in time… I can remember what I was thinking about, sensations, weather… it tends to be true for most of my finished paintings too.

Barleyfield - sketch © Mari French 2010

Barleyfield - sketch © Mari French 2010

Harvest - sketch © Mari French 2011

Harvest - sketch © Mari French 2011

October shoreline - sketch © Mari French

October shoreline - sketch © Mari French

glorious colours…lethal earth…

In early September I spent a week on the Penwith peninsula of Cornwall. This area is well-known for its stunning coastline, artists and the many standing stones and stone circles.

Cape Cornwall from Pendeen Lighthouse © Mari French 2011

Cape Cornwall from Pendeen Lighthouse © Mari French 2011

Sketch of Cape Cornwall, from Pendeen Watch © Mari French 2011

Sketch of Cape Cornwall, from Pendeen Watch © Mari French 2011

At St Ives I visited the 150 year old art studios at Porthmeor, with their large boarded sail-loft type spaces and huge seaward windows overlooking the Atlantic rollers on Porthmeor beach. Really difficult not to be envious of such light and space for painting. One of the artists, John Emanuel, originally from Cumbria, has been resident at the studios for 30 years. He had a fascinating book of photos of the studio interior recently published so I bought a copy.

Sketching at Mousehole, Cornwall © Mari French 2011

Sketching at Mousehole, Cornwall © Mari French 2011

I also spent a glorious couple of days tracking down some of the industrial archaeology of the area’s past – tin mines, near Land’s End, which I wanted to sketch. Levant mine, on the coast between St Just and Pendeen is now a National Trust site but this didn’t intrude on the potent atmosphere of the ruined engine houses, chimneys and arsenic works.

Ruins, Levant mine, Cornwall © Mari French 2011

Ruins, Levant mine, Cornwall © Mari French 2011

mine chimney, Cape Cornwall © Mari French 2011

mine chimney, Cape Cornwall © Mari French 2011

The spectacular setting, on the coastal path high above the sea, added to the sense of drama… a gift to the artist and photographer, although I didn’t see much evidence of the industrial side of Cornwall in the galleries at St Ives.

ruined arsenic works, Levant mine, Cornwall © Mari French 2011

ruined arsenic works, Levant mine, Cornwall © Mari French 2011

Levant mine originally worked copper till the 1850s, then tin. Arsenic produced as a by-product of the tin mining was, horrifyingly, scraped off the inside of the chimney by men and young boys, by hand, with little more than a cloth to protect their breathing. The arsenic was produced for dyes, pesticides and medicine!

Sketch of Levant Mine, Cape Cornwall © Mari French 2011

Sketch of Levant Mine, Cape Cornwall © Mari French 2011

I was excited by the vivid red and ochres, both in the buildings and bleeding through the ground of this eerie landscape. Beautiful and potentially lethal…

…an interesting possibility for a body of work I thought, also appreciating the contrast of the industrial subject within the landscape.

Traces of jewel-like minerals can easily be found in the scattered rocks and the earth around the site.

Even the bracken and other vegetation on the moorland above the mine seemed to mirror the colours of the earth and ores.

interior of ruined mine - Levant mine, Cornwall © Mari French 2011

interior of ruined mine - Levant mine, Cornwall © Mari French 2011

rocks at Levant mine, Cape Cornwall © Mari French 2011

rocks at Levant mine, Cape Cornwall © Mari French 2011

Levant Mine, Cape Cornwall © Mari French 2011

Levant Mine, Cape Cornwall © Mari French 2011