evolution of a painting…

I recently came across these digital photos of the creation of a work I have on display at the Burnham Grapevine Gallery in North Norfolk just now. Titled simply ‘Red landscape’ it is approx 40x40cm, acrylic/mixed media on canvas like a lot of my work. I thought it might be interesting to show how the painting evolved.

step1 © Mari French 2009

step1 © Mari French 2009

Obviously step 1 above sees the work some way on in its progress. I started by covering the box canvas with a smooth texture paste that I use, spread liberally and loosely with a palette knife. Before this dried I embedded various materials into it such as fine muslin and string, also pressing pieces of corrugated cardboard (peeling off the covering layer on one side, revealing the ridges) to create interesting areas of texture. Then, using a large (4 inch) soft brush – I applied a mix of burnt sienna and yellow ochre mixed with matt medium all over. When that was almost dry, I swept paynes grey across parts of the upper middle and lower foreground, resulting in the above image (step 1).

step 2 © Mari French 2009

step 2 © Mari French 2009

In step 2 above, the sky area, horizon and foreground are suggested with parchment (a pale cream colour I find a bit gentler than white) giving some definition to what I could now visualise as a fieldscape, albeit an abstracted one. This was allowed to dry thoroughly.

step 3 © Mari French 2009

step 3 © Mari French 2009

Step 3 demonstrates the rather drastic technique I often use of sweeping darker paint over  the canvas with loose strokes concentrating on getting into all those bumps and ridges of texture. Before it dries I wipe most of it away with damp rags (have to be pretty quick here). Although this may seem a waste of time (and paint!) I find it gives a subtle depth to the final painting. Incidentally I use a hairdryer to speed up drying times for most works.

I then warmed up the painting with more burnt sienna and yellow ochre mix, and yellow ochre on its own, used fairly dry so it retained the brush strokes, to indicate ‘field’ areas. The finished work is shown below and also a close-up detail showing how the paint clings to the texture of the muslin etc.

Red landscape © Mari French 2009

Red landscape © Mari French 2009

'Red landscape' detail © Mari French 2009

'Red landscape' detail © Mari French 2009

more saltmarsh paintings…and to frame or not to frame?

Bright day, Thornham saltmarsh © Mari French 2011

Bright day, Thornham saltmarsh © Mari French 2011

A couple more from my series of saltmarsh paintings (these are larger than the ones in my previous blog), which seem to be going well just now, building into a series which I’ll have to get framed soon for the group exhibition in May at Halesworth Gallery, Suffolk – Six Abstract Artists. As I’ve mentioned before (and its pretty obvious anyway) some are more abstract than others, so given the theme of the show I’ll have to be selective.

The framer I’ve been using since moving to Norfolk is Bill Henderson of Henderson’s Arts & Framing in Gaywood, King’s Lynn, who I find pretty reasonable price-wise (they also have a good stock of art supplies). Most of my work in the past year has been on box canvas, which I don’t usually frame. A gallery owner reflected in a recent discussion that buyers’ tastes may be swinging towards a preference for american-style ‘float frames’ for canvas – something I’m considering. When I lived and worked from my own studio/gallery on the Isle of Skye most visitors expressed a preference for leaving the canvases as they were – unframed.

Anyway, it’s been refreshing to work on an alternative surface producing these studies of Thornham saltmarsh and creek. I’ve also noticed my colour palette diversifying somewhat from previous more subdued colours I tended to use.

Saltmarsh light © Mari French 2011

Saltmarsh light © Mari French 2011

in the depths of winter…

… I have been painting imagery from summer.

With two heaters going, my trusty hairdryer warming me as well as drying my work, the following pushed themselves onto my canvas recently: hot fields of poppies, acres of gold barley – the pattern and texture of the local fields of my new Norfolk home.

No doubt I’ll get the urge to create winter images of the recent snow scenes in the sunny spring months of 2011?!

'Summer fields with poppies', © Mari French 2010, 60x60cm, acrylic/mixed-media on canvas.

'Summer fields with poppies', © Mari French 2010, 60x60cm, acrylic/mixed-media on canvas.

'Walking near Castle Acre', acrylic/mixed-media on board © Mari French 2010

'Walking near Castle Acre', acrylic/mixed-media on board © Mari French 2010

'Track through poppy field', © Mari French 2010, 50x50cm, acrylic/mixed-media on canvas.

'Track through poppy field', © Mari French 2010, 50x50cm, acrylic/mixed-media on canvas.