abandoned colour …

a selection of sketches from a week in Cornwall in September, spent exploring the moors, coast, ancient Bronze Age remains and the other-worldliness of the abandoned tin and copper mines in the Penwith area.

Towards Rosewall Hill, Cornwall

Towards Rosewall Hill, Cornwall.

These sketches were made on the spot, (in varied weather) in my current favourite sketchbook – a Moleskine watercolour sketchbook. The paper weight is robust enough to stand up to the deluge of water I usually flood each page with and I prefer the landscape format over the A5/A6 sizes sketchpads and books tend to come in.

Apart from my usual use of wet-in-wet watercolours and pencil, I was trying out the Derwent Inktense blocks which I’ve recently discovered; I love their immediacy of colour, their smudgy intensity, especially in the darker colours, like the plummy colour shown in the sketch above.

Mine stack at Levant, Cornwall.

Mine stack at Levant, Cornwall.


Verdigris leaching from cliff, Levant Mine.

Verdigris leaching from cliff, Levant Mine.   

The colours of the earth around these mines where the ores carpet the surface, and the copper verdigris leaches from the sea cliffs below the mines, have to be seen to be believed! It looks just like a giant has flung pots of paint around with abandon.

Mine stack, Levant Mine.

Mine stack, Levant Mine.

 

Rubble & ore, Levant Mine.

Rubble & ore, Levant Mine.

There is enough visual inspiration in this industrial landscape to warrant returning and spending much longer gathering material for a whole series of work. I’d love to do just that.

Rock formation, Levant.

Rock formation, Levant.

 

Men an Tol, near Morvah

Men an Tol, near Morvah

  

Rainclouds over Porthmeor bay, St Ives, Cornwall.

Rainclouds over Porthmeor bay, St Ives, Cornwall.

 

passing time on iPad …

Rosewall Hill, looming. Digital painting.

Rosewall Hill, looming. Digital painting.

Between visitors to my recent exhibition, Beneath the Surface, in King’s Lynn, I thought I’d make good use of any ‘downtime’ and try out the digital painting app ArtRage on my iPad. It took a few attempts to get the hang of, but it’s becoming compulsive and I like to think it may have a positive effect on my use of colour and mark-making.

'What remains'. Digital painting.

‘What remains’. Digital painting.

Anyway, these are some of the results, inspired by a day spent exploring the surrounding moorlands and remains of the Levant and Geevor tin and copper mines in Cornwall on a recent St Ives holiday. The two digital paintings above are the latest ones and I think I’ve learnt to exploit more of the subtleties of the tool/colour/effect options of the ArtRage app since I produced the first examples below.

I’ll probably always prefer to use physical paint on paper or canvas, but in situations like this in places where I don’t want to make a mess or leave work drying while I talk to someone, the iPad might make a useful sketchbook alternative.

Geevor Mine, Pendeen. Digital painting.

Geevor Mine, Pendeen. Digital painting.

Levant: verdigris leach. Digital painting.

Levant: verdigris leach. Digital painting.

sunshine & scallops in Suffolk …

Maggi Hambling's Scallop, Aldeburgh. (photo © Mari French)

Maggi Hambling’s Scallop, Aldeburgh. (photo © Mari French)

A drive of 86 sunny miles to Aldeburgh in Suffolk earlier this week, I’d been invited to take a selection of my artwork to Thompson’s Art Gallery on High Street.

They are a well-established gallery, with several large light-filled rooms on two floors and a reputation for showing quality contemporary art; they also have a gallery in London.

It was worth making the journey – Graham, the manager, and Devi, chose six of my abstracted mixed-media landscapes to hang there.

Thompson's Gallery, Aldeburgh (© Thompson's).

Thompson’s Gallery, Aldeburgh (Photo © Thompson’s Gallery).

Later I had time to wander round the town and seafront. There is quite an art presence in Aldeburgh with several galleries and Maggi Hambling’s famous ‘Scallop’ sculpture right on the shingle beach. The words cut into the metal are taken from Benjamin Britten’s Peter Grimes opera.

On the seafront the interesting structure of the old South Lookout tower is now an art project/exhibition space run by Caroline Wiseman. What an amazing place for an artist! I loved the effect the shadow of its spiral staircase was making on the walls.

Aldeburgh is definitely well worth a trip for artists and art lovers.

South Beach Lookout, Aldeburgh © Mari French 2013

South Beach Lookout, Aldeburgh © Mari French 2013