harvesting inspiration…

detail © Mari French 2012

detail © Mari French 2012

…a few sketches from a recent exploration along local country lanes, during the harvest season, led to some promising experimental imagery…

track through ripening barley

track through ripening barley, watercolour/ink pencils.
© Mari French 2012

above… I thought purple skies in a couple of instances would get across the heat of the summer day better than the usual blue.

Rain clouds over ripening crops

Rain clouds over ripening crops
© Mari French 2012

at last … I discovered that this particular blue/purple crop (below) I’d noticed recently, was the herb Borage (nice edible flowers), and not flax or linseed, which seemed more prevalent last year.

stubble and borage crop

stubble and borage crop, watercolour/oil pastel
© Mari French 2012

…and subsequent experimental images, created as soon as I got back, inspired by the field imagery, using ink-stained tissue paper, sponge rollers etc, deliberately avoiding using usual media like pencil, brushes… I want to take these further sometime soon.

experimental 1

experimental 1
© Mari French 2012

experimental 2 © Mari French 2012

experimental 2 © Mari French 2012

experimental 1 © Mari French 2012

experimental 1
© Mari French 2012

experimental 3 © Mari French 2012

experimental 3 © Mari French 2012

sketchbook browsing…

Brancaster creek - sketch © Mari French 2011

Brancaster creek - sketch © Mari French 2011

Trawling through my sketchbooks today, for inspiration and to print out and paste into my current workbook for reference.

Some of these are recent… some older, but it was interesting making their acquaintance again.

Thought I’d share…

Rain approaching - watercolour sketch © Mari French 2011

Rain approaching - watercolour sketch © Mari French 2011

haybales catching the sun - watercolour sketch © Mari French 2011

haybales catching the sun - watercolour sketch © Mari French 2011

Poplars and poppies - sketch © Mari French 2009

Poplars and poppies - sketch © Mari French 2009

Reedbeds, Blakeney - sketch © Mari French 2011

Reedbeds, Blakeney - sketch © Mari French 2011

Other artists may experience something similar, but I only have to look at these to be whisked back in time… I can remember what I was thinking about, sensations, weather… it tends to be true for most of my finished paintings too.

Barleyfield - sketch © Mari French 2010

Barleyfield - sketch © Mari French 2010

Harvest - sketch © Mari French 2011

Harvest - sketch © Mari French 2011

October shoreline - sketch © Mari French

October shoreline - sketch © Mari French

glorious colours…lethal earth…

In early September I spent a week on the Penwith peninsula of Cornwall. This area is well-known for its stunning coastline, artists and the many standing stones and stone circles.

Cape Cornwall from Pendeen Lighthouse © Mari French 2011

Cape Cornwall from Pendeen Lighthouse © Mari French 2011

Sketch of Cape Cornwall, from Pendeen Watch © Mari French 2011

Sketch of Cape Cornwall, from Pendeen Watch © Mari French 2011

At St Ives I visited the 150 year old art studios at Porthmeor, with their large boarded sail-loft type spaces and huge seaward windows overlooking the Atlantic rollers on Porthmeor beach. Really difficult not to be envious of such light and space for painting. One of the artists, John Emanuel, originally from Cumbria, has been resident at the studios for 30 years. He had a fascinating book of photos of the studio interior recently published so I bought a copy.

Sketching at Mousehole, Cornwall © Mari French 2011

Sketching at Mousehole, Cornwall © Mari French 2011

I also spent a glorious couple of days tracking down some of the industrial archaeology of the area’s past – tin mines, near Land’s End, which I wanted to sketch. Levant mine, on the coast between St Just and Pendeen is now a National Trust site but this didn’t intrude on the potent atmosphere of the ruined engine houses, chimneys and arsenic works.

Ruins, Levant mine, Cornwall © Mari French 2011

Ruins, Levant mine, Cornwall © Mari French 2011

mine chimney, Cape Cornwall © Mari French 2011

mine chimney, Cape Cornwall © Mari French 2011

The spectacular setting, on the coastal path high above the sea, added to the sense of drama… a gift to the artist and photographer, although I didn’t see much evidence of the industrial side of Cornwall in the galleries at St Ives.

ruined arsenic works, Levant mine, Cornwall © Mari French 2011

ruined arsenic works, Levant mine, Cornwall © Mari French 2011

Levant mine originally worked copper till the 1850s, then tin. Arsenic produced as a by-product of the tin mining was, horrifyingly, scraped off the inside of the chimney by men and young boys, by hand, with little more than a cloth to protect their breathing. The arsenic was produced for dyes, pesticides and medicine!

Sketch of Levant Mine, Cape Cornwall © Mari French 2011

Sketch of Levant Mine, Cape Cornwall © Mari French 2011

I was excited by the vivid red and ochres, both in the buildings and bleeding through the ground of this eerie landscape. Beautiful and potentially lethal…

…an interesting possibility for a body of work I thought, also appreciating the contrast of the industrial subject within the landscape.

Traces of jewel-like minerals can easily be found in the scattered rocks and the earth around the site.

Even the bracken and other vegetation on the moorland above the mine seemed to mirror the colours of the earth and ores.

interior of ruined mine - Levant mine, Cornwall © Mari French 2011

interior of ruined mine - Levant mine, Cornwall © Mari French 2011

rocks at Levant mine, Cape Cornwall © Mari French 2011

rocks at Levant mine, Cape Cornwall © Mari French 2011

Levant Mine, Cape Cornwall © Mari French 2011

Levant Mine, Cape Cornwall © Mari French 2011