abstract potential …

my latest acrylic/mixed media work (on watercolour board)… I’m still exploring the abstract potential of the industrial remains of the tin and copper mines between Land’s End and Cape Cornwall. Needs a title yet… 

I’m enjoying producing these and it feels like this one is getting closer to the abstracted colour and form I’m after… 

Cornwall mining abstract

Cornwall mining abstract. Mari French 2013

 

Hard to believe that I’ll be spending two uninterrupted weeks next year painting in the area, thanks to my recently awarded Artists Residency at Brison’s Veor.

Cornwall residency award …

I’m so pleased, today I got the news that I have been awarded an artist’s residency at Brison’s Veor, Cape Cornwall, for 2014!

A wonderful location, the house is the furthest west in England and situated right on the cliffs looking out to sea and the rocks that give the house its name. It has been run solely for creative residencies since the 1970s.

It’s also very close to the tin mining area I’ve recently been painting, which will be the main focus of my work whilst I’m there.
I’ll have it to myself for two weeks… two weeks of concentrating on painting, sketching, exploring. It will be my first residency.
Brison’s Veor

(images below are copyright http://www.brisonsveor.org.uk)

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abandoned colour …

a selection of sketches from a week in Cornwall in September, spent exploring the moors, coast, ancient Bronze Age remains and the other-worldliness of the abandoned tin and copper mines in the Penwith area.

Towards Rosewall Hill, Cornwall

Towards Rosewall Hill, Cornwall.

These sketches were made on the spot, (in varied weather) in my current favourite sketchbook – a Moleskine watercolour sketchbook. The paper weight is robust enough to stand up to the deluge of water I usually flood each page with and I prefer the landscape format over the A5/A6 sizes sketchpads and books tend to come in.

Apart from my usual use of wet-in-wet watercolours and pencil, I was trying out the Derwent Inktense blocks which I’ve recently discovered; I love their immediacy of colour, their smudgy intensity, especially in the darker colours, like the plummy colour shown in the sketch above.

Mine stack at Levant, Cornwall.

Mine stack at Levant, Cornwall.


Verdigris leaching from cliff, Levant Mine.

Verdigris leaching from cliff, Levant Mine.   

The colours of the earth around these mines where the ores carpet the surface, and the copper verdigris leaches from the sea cliffs below the mines, have to be seen to be believed! It looks just like a giant has flung pots of paint around with abandon.

Mine stack, Levant Mine.

Mine stack, Levant Mine.

 

Rubble & ore, Levant Mine.

Rubble & ore, Levant Mine.

There is enough visual inspiration in this industrial landscape to warrant returning and spending much longer gathering material for a whole series of work. I’d love to do just that.

Rock formation, Levant.

Rock formation, Levant.

 

Men an Tol, near Morvah

Men an Tol, near Morvah

  

Rainclouds over Porthmeor bay, St Ives, Cornwall.

Rainclouds over Porthmeor bay, St Ives, Cornwall.