more saltmarsh paintings…and to frame or not to frame?

Bright day, Thornham saltmarsh © Mari French 2011

Bright day, Thornham saltmarsh © Mari French 2011

A couple more from my series of saltmarsh paintings (these are larger than the ones in my previous blog), which seem to be going well just now, building into a series which I’ll have to get framed soon for the group exhibition in May at Halesworth Gallery, Suffolk – Six Abstract Artists. As I’ve mentioned before (and its pretty obvious anyway) some are more abstract than others, so given the theme of the show I’ll have to be selective.

The framer I’ve been using since moving to Norfolk is Bill Henderson of Henderson’s Arts & Framing in Gaywood, King’s Lynn, who I find pretty reasonable price-wise (they also have a good stock of art supplies). Most of my work in the past year has been on box canvas, which I don’t usually frame. A gallery owner reflected in a recent discussion that buyers’ tastes may be swinging towards a preference for american-style ‘float frames’ for canvas – something I’m considering. When I lived and worked from my own studio/gallery on the Isle of Skye most visitors expressed a preference for leaving the canvases as they were – unframed.

Anyway, it’s been refreshing to work on an alternative surface producing these studies of Thornham saltmarsh and creek. I’ve also noticed my colour palette diversifying somewhat from previous more subdued colours I tended to use.

Saltmarsh light © Mari French 2011

Saltmarsh light © Mari French 2011

wellies and watercolours…

Thornham saltmarsh, from sketchbook © Mari French 2011

Thornham saltmarsh, from sketchbook © Mari French 2011

Thornham creek & marshes © Mari French 2010

Thornham creek & marshes © Mari French 2010

A selection of photos and sketches from a recent visit to Thornham marshes, on the north Norfolk coast, in glorious sunshine. At high tide the saltmarsh and creeks are inundated by seawater – it’s a place of dual characteristics which fascinates me.

I’m spending time studying this area with the intention of working up a body of paintings (another one!) for exhibition. The tide goes out fast here leaving shining mud banks reflecting the blue sky and is a feast for wading birds (the area is a mecca for bird-watchers).

Old silvered tree stumps and rows of dark posts in the mud – remains of staithes (jetties) – provide useful vertical contrast to the expanse of horizontal bands of colour and texture. The creek winds out to the pale strand and dunes in the distance, and indigo strip of sea.

Although it was sunny there was a very cold breeze, so as well as wrapping up well, I made use of the disposable hand warmers I got for christmas. These come in a multi-pack and as soon as you tear open the cello pack they start to warm up and provide very good heat for several hours (although they’re probably not very eco-friendly). They’re also small enough to fit in gloves (or even wellies for a quick warm up!) – highly recommended for outdoor sketching.

Thornham creek, from sketchbook © Mari French 2011

Thornham creek, from sketchbook © Mari French 2011

Thornham stumps, from sketchbook © Mari French 2011

Thornham stumps, from sketchbook © Mari French 2011

Thornham creek & marshes © Mari French 2011

Thornham creek & marshes © Mari French 2011