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About Mari French RI

Mari French is emerging as one of East Anglia's most respected abstract painters. She grew up in Manchester close to the Pennine Hills, originally working as a graphic designer. She then lived for several years on the Isle of Skye developing her abstract landscapes. Mari now lives in Norfolk, working as a full-time artist, from her studio on a former 1930s RAF airbase. The roots of her paintings lie in her deep-seated affinity with landscape and weather, capturing the elemental forces of wild and less-visited landscapes. She says about her creative process “I try to evoke the shift of weather and light on a place and this is reflected in the sense of movement and change in the work itself. I sketch on location but in the studio I work instinctively, using a variety of media to evoke my experience of a place rather than a representation”. Mari has exhibited widely; she regularly exhibits with the Royal Institute of Painters in Watercolours (RI) at the Mall Galleries, London; she has also exhibited with The Royal Watercolour Society (RWS) at Bankside Gallery, London; was a finalist in Artist & Illustrator Magazine's 'Artist of the Year' 2016; and a finalist in The Sunday Times Watercolour Competition 2014. In 2022 she was elected a full member of the Royal Institute of Painters in Water Colours (RI). Her work has been featured in both the ‘Artist’ and ‘Artist & Illustrator’ magazines as well as in several art books and is held in private collections around the world.

more saltmarsh paintings…and to frame or not to frame?

Bright day, Thornham saltmarsh © Mari French 2011

Bright day, Thornham saltmarsh © Mari French 2011

A couple more from my series of saltmarsh paintings (these are larger than the ones in my previous blog), which seem to be going well just now, building into a series which I’ll have to get framed soon for the group exhibition in May at Halesworth Gallery, Suffolk – Six Abstract Artists. As I’ve mentioned before (and its pretty obvious anyway) some are more abstract than others, so given the theme of the show I’ll have to be selective.

The framer I’ve been using since moving to Norfolk is Bill Henderson of Henderson’s Arts & Framing in Gaywood, King’s Lynn, who I find pretty reasonable price-wise (they also have a good stock of art supplies). Most of my work in the past year has been on box canvas, which I don’t usually frame. A gallery owner reflected in a recent discussion that buyers’ tastes may be swinging towards a preference for american-style ‘float frames’ for canvas – something I’m considering. When I lived and worked from my own studio/gallery on the Isle of Skye most visitors expressed a preference for leaving the canvases as they were – unframed.

Anyway, it’s been refreshing to work on an alternative surface producing these studies of Thornham saltmarsh and creek. I’ve also noticed my colour palette diversifying somewhat from previous more subdued colours I tended to use.

Saltmarsh light © Mari French 2011

Saltmarsh light © Mari French 2011

saltmarsh studies…

Thornham creek - looking out to sea © Mari French 2011

Thornham creek - looking out to sea © Mari French 2011

Several small new studies – some more abstract than others – inspired by my recent visit to Thornham saltmarshes (see my earlier post ‘wellies and watercolours’).

Thought I’d rattle off a few of these instead of ploughing straight into a finished piece on canvas. I think taking the pressure off myself by regarding

'Ragged Marsh', Thornham saltmarsh © Mari French 2011

'Ragged Marsh', Thornham saltmarsh © Mari French 2011

them as experimental rather than finished pieces helped me enjoy producing them more.

As you can see, they progressed from fairly representational to pretty abstract. Some of them have pasted down tissue paper as a base to add textural interest. They are all on Daler Sanders Watercolour board and are about 10×12 inches.

The only reference I used was a quick look through my sketchbook to remind myself of my day on the saltmarsh then I just let my imagination and the materials take over. I’ll live with these for a while first (and produce more) but I’m thinking I might get a few mounted and framed for inclusion in one of my exhibitions?

'Ragged Marsh' tide returning © Mari French 2011

'Ragged Marsh' tide returning © Mari French 2011

I love the actual name of part of the saltmarsh at Thornham -“Ragged Marsh”, in fact the whole list of words related to these marshes – staithes, stumps, sluice, saltmarsh – is very evocative of the wet landscape!

'Approaching Thornham marsh' © Mari French 2011

'Approaching Thornham marsh' © Mari French 2011

'Sluice at Thornham' © Mari French 2011

'Sluice at Thornham' © Mari French 2011

wellies and watercolours…

Thornham saltmarsh, from sketchbook © Mari French 2011

Thornham saltmarsh, from sketchbook © Mari French 2011

Thornham creek & marshes © Mari French 2010

Thornham creek & marshes © Mari French 2010

A selection of photos and sketches from a recent visit to Thornham marshes, on the north Norfolk coast, in glorious sunshine. At high tide the saltmarsh and creeks are inundated by seawater – it’s a place of dual characteristics which fascinates me.

I’m spending time studying this area with the intention of working up a body of paintings (another one!) for exhibition. The tide goes out fast here leaving shining mud banks reflecting the blue sky and is a feast for wading birds (the area is a mecca for bird-watchers).

Old silvered tree stumps and rows of dark posts in the mud – remains of staithes (jetties) – provide useful vertical contrast to the expanse of horizontal bands of colour and texture. The creek winds out to the pale strand and dunes in the distance, and indigo strip of sea.

Although it was sunny there was a very cold breeze, so as well as wrapping up well, I made use of the disposable hand warmers I got for christmas. These come in a multi-pack and as soon as you tear open the cello pack they start to warm up and provide very good heat for several hours (although they’re probably not very eco-friendly). They’re also small enough to fit in gloves (or even wellies for a quick warm up!) – highly recommended for outdoor sketching.

Thornham creek, from sketchbook © Mari French 2011

Thornham creek, from sketchbook © Mari French 2011

Thornham stumps, from sketchbook © Mari French 2011

Thornham stumps, from sketchbook © Mari French 2011

Thornham creek & marshes © Mari French 2011

Thornham creek & marshes © Mari French 2011