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About Mari French RI

Mari French is emerging as one of East Anglia's most respected abstract painters. She grew up in Manchester close to the Pennine Hills, originally working as a graphic designer. She then lived for several years on the Isle of Skye developing her abstract landscapes. Mari now lives in Norfolk, working as a full-time artist, from her studio on a former 1930s RAF airbase. The roots of her paintings lie in her deep-seated affinity with landscape and weather, capturing the elemental forces of wild and less-visited landscapes. She says about her creative process “I try to evoke the shift of weather and light on a place and this is reflected in the sense of movement and change in the work itself. I sketch on location but in the studio I work instinctively, using a variety of media to evoke my experience of a place rather than a representation”. Mari has exhibited widely; she regularly exhibits with the Royal Institute of Painters in Watercolours (RI) at the Mall Galleries, London; she has also exhibited with The Royal Watercolour Society (RWS) at Bankside Gallery, London; was a finalist in Artist & Illustrator Magazine's 'Artist of the Year' 2016; and a finalist in The Sunday Times Watercolour Competition 2014. In 2022 she was elected a full member of the Royal Institute of Painters in Water Colours (RI). Her work has been featured in both the ‘Artist’ and ‘Artist & Illustrator’ magazines as well as in several art books and is held in private collections around the world.

aqua alta (high water) …

a recent abstract piece (acrylic on canvas 80 x 80cm), very much influenced by memories of the Grand Canal in Venice in May this year.

Aqua Alta © Mari French 2013

Aqua Alta © Mari French 2013

Detail: Aqua Alta © Mari French 2013

Detail: Aqua Alta © Mari French 2013

sitting comfortably …

Just a few sketches from this week’s visit to my favourite stomping ground … Thornham salt marsh on the Norfolk coast. In celebration of the Queen’s jubilee a new bench has been conveniently sited facing out to sea along the creek. HM had her photo taken on her new bench recently with some of the villagers (Sandringham is nearby).

Thornham salt marsh. Mari French

Thornham salt marsh

It’s a popular spot for locals to rest, but despite the bright sunlight there was a cold northeasterly (there has been most of the year so far), and I had the bench to myself for an hour and could spread out. What a luxury not to be perched on a cold rock or on my waterproof mat on a tussock of grass trying not to lose my brushes or pencils in the grass. I’ll be getting soft 🙂

Emerging sun, Thornham Creek. Mari French

Emerging sun, Thornham Creek.

There was a very low tide… I’ve never seen the mud in the creeks so dry and pale. The blonde smudge of sand reflecting the sun across the near horizon seemed larger and closer than I’ve seen it before, with the channel marker posts standing out clearly. 

Changing light, Thornham. Mari French

Changing light, Thornham.

 

Venice sketchbook …

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funny how a rough sketch or study can send you hurtling back to the precise moment of creation …

… sitting in the hot Venice sunshine on marble steps by a bridge, or a church, usually in the quieter, humbler ‘sestieres’ of Cannaregio or Castello.

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I remember this while sketching … an old woman shaking a rug out of her window on the third floor stopped to smile and wave to me. In a city inundated with tourists (267 to every Venetian), I appreciated that friendly gesture.

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I took ink-stained tissue paper and pva glue with me this time as part of my sketching kit. It seems to capture the intense colour and light of the city … a bit fiddly but lovely to sketch over, and in the heat it dried quickly.

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The long narrow sketch pad you can see in some of the photos is the ‘Extreme’ watercolour pad produced by RE+new Gallery in Woodbridge, Suffolk. It’s very useful for panoramas (or tall buildings) and great for pen or pencil and wash; but I tend to work in a fairly wet style and I find the paper a bit thin for that, unfortunately. The other sketchbook is a good old small, square Seawhite sketchbook, which seems to take well to wet-in-wet, collating etc.

Okay, end of technical details …

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