hanging around …

a ‘work in progress’… acrylic/mixed media on canvas, 80x80cm … another in my explorations of the abstract imagery of the mining area near Cape Cornwall. You might have noticed the inverted commas back at the start of this post … well … I can’t decide yet if I should do much more to it or what the nature of the further work should be. A common dilemma for artists I realise.

But, although I like how it’s looking just now, I’m also aware that it’s a bit of a crossover, with a large abstract section but also more representative upper parts… and this is why it’s been hanging on my studio wall for a few weeks now. Do I leave it largely as is, perhaps with some subtle colour toning/glazing in the orange lower areas; or try to reconcile the abstract/representative areas? Is it acceptable to leave it as is? I’m aware as an artist, this is ultimately down to me, but constructive opinions would be gratefully welcomed.

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abstract potential …

my latest acrylic/mixed media work (on watercolour board)… I’m still exploring the abstract potential of the industrial remains of the tin and copper mines between Land’s End and Cape Cornwall. Needs a title yet… 

I’m enjoying producing these and it feels like this one is getting closer to the abstracted colour and form I’m after… 

Cornwall mining abstract

Cornwall mining abstract. Mari French 2013

 

Hard to believe that I’ll be spending two uninterrupted weeks next year painting in the area, thanks to my recently awarded Artists Residency at Brison’s Veor.

the earth bleeds …

Regular followers of this blog may remember my previous posts describing visits to the tin mining area of Penwith, near Lands End in Cornwall and the almost alien industrial archaeology there. If not, you can check them out here, here and here.

Below are the two most recent mixed media artworks I’ve produced on this theme. Again I’m exploring my response to the red iron oxide covered ground, the bright turquoise verdigris leaching from the copper adits where they emerge from the sea cliffs below the mines, the stark finger-like stacks pointing skywards.

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Acrylic paint, tissue, acrylic ink and inktense blocks have all been used. The support was Daler watercolour board, which will take quite a lot of wet media if adequately taped down.

It’s an absolute joy to be an abstract artist and come across such rich source material…

I have to go back …

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