making a mark …

Taking a break from the canvases this week and trying to develop my mark making skills. I decided to take the pressure off and experiment on smallish pieces of watercolour paper (approx A4in size), using a base texture of pasted tissue, with acrylics and inks, and using a few of the marks I’d been playing with, with the aim of achieving freedom with a degree of constraint (if that makes sense!).

Although experimental, hopefully the resulting works may yield a couple worth framing.

Below are a couple of the works in progress plus a few sheets of marks. The feathers are a bit too obvious for my work but look beautiful printed like this.

 

Untitled. Mixed media on watercolour paper. Mari French 2014.

Untitled. Mixed media on watercolour paper. Mari French 2014.


Untitled. Mixed media on watercolour paper. Mari French 2014.

Untitled. Mixed media on watercolour paper. Mari French 2014.

Mark making exercise. Mari French 2014

Mark making exercise. Mari French 2014

 

abstract potential …

my latest acrylic/mixed media work (on watercolour board)… I’m still exploring the abstract potential of the industrial remains of the tin and copper mines between Land’s End and Cape Cornwall. Needs a title yet… 

I’m enjoying producing these and it feels like this one is getting closer to the abstracted colour and form I’m after… 

Cornwall mining abstract

Cornwall mining abstract. Mari French 2013

 

Hard to believe that I’ll be spending two uninterrupted weeks next year painting in the area, thanks to my recently awarded Artists Residency at Brison’s Veor.

the earth bleeds …

Regular followers of this blog may remember my previous posts describing visits to the tin mining area of Penwith, near Lands End in Cornwall and the almost alien industrial archaeology there. If not, you can check them out here, here and here.

Below are the two most recent mixed media artworks I’ve produced on this theme. Again I’m exploring my response to the red iron oxide covered ground, the bright turquoise verdigris leaching from the copper adits where they emerge from the sea cliffs below the mines, the stark finger-like stacks pointing skywards.

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Acrylic paint, tissue, acrylic ink and inktense blocks have all been used. The support was Daler watercolour board, which will take quite a lot of wet media if adequately taped down.

It’s an absolute joy to be an abstract artist and come across such rich source material…

I have to go back …

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