moorland textures…

Lower Bridestones, Sleights Moor © Mari French 2012

Lower Bridestones, Sleights Moor © Mari French 2012

I recently spend time happily chasing ink around the pages of my new Moleskine watercolour sketch book up on the windswept moorlands of the North York Moors…

Bridestone, North York Moors © Mari French 2012

Bridestone, North York Moors © Mari French 2012

…perched in cold wind, bright sun, or under lowering black rainclouds – among some of the many local standing stones (called ‘Bridestones’).

sketchbook © Mari French 2012

sketchbook © Mari French 2012

I was using the tissue and acrylic ink technique I’ve been experimenting with over the last year, and in my outdoors sketching it works surprisingly well…

… it is so much more intense than watercolour (which I still use – sometimes in conjunction with the ink), with the advantage of being waterproof when dry. I only tend to use two or three colours, depending on the subject in front of me…

Bridestone, Sleights Moor © Mari French 2012

Bridestone, Sleights Moor © Mari French 2012

… I just love the way the colours bleed and flow, running into the tissue creases (where used). For me it’s the perfect technique for rapidly capturing the texture, colour and moodiness of light on the North York Moors.

Rain, Sleights Moor © Mari French 2012

Rain, Sleights Moor © Mari French 2012

Rain, Rosedale Moor © Mari French 2012

Rain, Rosedale Moor © Mari French 2012

Peat cuttings, Rosedale Moor © Mari French 2012

Peat cuttings, Rosedale Moor © Mari French 2012

Above Rosedale Moor, North York Moors © Mari French 2012

Above Rosedale Moor, North York Moors © Mari French 2012

harvesting inspiration…

detail © Mari French 2012

detail © Mari French 2012

…a few sketches from a recent exploration along local country lanes, during the harvest season, led to some promising experimental imagery…

track through ripening barley

track through ripening barley, watercolour/ink pencils.
© Mari French 2012

above… I thought purple skies in a couple of instances would get across the heat of the summer day better than the usual blue.

Rain clouds over ripening crops

Rain clouds over ripening crops
© Mari French 2012

at last … I discovered that this particular blue/purple crop (below) I’d noticed recently, was the herb Borage (nice edible flowers), and not flax or linseed, which seemed more prevalent last year.

stubble and borage crop

stubble and borage crop, watercolour/oil pastel
© Mari French 2012

…and subsequent experimental images, created as soon as I got back, inspired by the field imagery, using ink-stained tissue paper, sponge rollers etc, deliberately avoiding using usual media like pencil, brushes… I want to take these further sometime soon.

experimental 1

experimental 1
© Mari French 2012

experimental 2 © Mari French 2012

experimental 2 © Mari French 2012

experimental 1 © Mari French 2012

experimental 1
© Mari French 2012

experimental 3 © Mari French 2012

experimental 3 © Mari French 2012

found compositions…

a few ‘found’ compositions among the incidental clutter of my small studio…

scraps

leftover scraps from my mixed-media work, stuck on my studio wall…
I add to them on a whim when I think a new piece fits… when I like it too much to throw it away… it may get used again at some point… or I may use the composition itself as inspiration for a future work…

wall detail

wall detail

leaf skeletons interest me… I wedged this one on my wall behind a card… later realising how it echoes the tree on the card…

the photo quality isn’t great on these I’m afraid, but I didn’t want to use flash and the light was pretty low, and they were taken on a sudden whim…

rag landscape

rag landscape

rag landscape 2

rag landscape 2

I love the sometimes accidental beauty of paint rags and palettes… this one had been used for blotting the inky impressions of a recent work…
and seems to suggest abstract field patterns and shadows… even the underlying weave of the cloth subtly adds to the effect…

any other artists want to share their own ‘found compositions’?