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About Mari French RI

Mari French is emerging as one of East Anglia's most respected abstract painters. She grew up in Manchester close to the Pennine Hills, originally working as a graphic designer. She then lived for several years on the Isle of Skye developing her abstract landscapes. Mari now lives in Norfolk, working as a full-time artist, from her studio on a former 1930s RAF airbase. The roots of her paintings lie in her deep-seated affinity with landscape and weather, capturing the elemental forces of wild and less-visited landscapes. She says about her creative process “I try to evoke the shift of weather and light on a place and this is reflected in the sense of movement and change in the work itself. I sketch on location but in the studio I work instinctively, using a variety of media to evoke my experience of a place rather than a representation”. Mari has exhibited widely; she regularly exhibits with the Royal Institute of Painters in Watercolours (RI) at the Mall Galleries, London; she has also exhibited with The Royal Watercolour Society (RWS) at Bankside Gallery, London; was a finalist in Artist & Illustrator Magazine's 'Artist of the Year' 2016; and a finalist in The Sunday Times Watercolour Competition 2014. In 2022 she was elected a full member of the Royal Institute of Painters in Water Colours (RI). Her work has been featured in both the ‘Artist’ and ‘Artist & Illustrator’ magazines as well as in several art books and is held in private collections around the world.

the wind in the reeds…

January 12th, a cold but very bright day. I escaped from my rather cramped studio, which was being bombarded by noisy builders two doors down, up to the wide open spaces of the Norfolk coast in my mud splattered little Clio…

Saltmarsh (mixed media on board) © Mari French 2012

Saltmarsh (mixed media on board) © Mari French 2012

…welcome to my current favourite spot for sketching – the wide saltmarshes and creeks lying between Thornham and Holme-next-the-sea.

Reedbeds, Thornham Marsh (digital photo) © Mari French 2012

Reedbeds, Thornham Marsh (digital photo) © Mari French 2012

Thornham Marsh (digital photo) © Mari French 2012

Thornham Marsh (digital photo) © Mari French 2012

The easterly wind is bitter and watercolour takes forever drying, so I walk along the raised bank of the sea defences, passing the odd dog walker and bird watcher, flapping my open sketchbook in the sunshine.

Saltmarsh creek © Mari French 2012

Saltmarsh creek © Mari French 2012

Next to the romantically named Hun Outfall Sluice (it’s a manmade kind of small canal, draining the surrounding farmland and marsh), with fish leaping for flies in the sun spangled water, I found a hidden spot down near the reedbeds, out of the bitter east wind and off the main path.

Reedbed sketch © Mari French 2012

Reedbed sketch © Mari French 2012

…here the sun is bright and low (and warm for January) creating interesting light effects through the reeds and a great spot for sketching.

I will be returning soon. Meanwhile, the mixed-media paintings at the start and end of this post show how the day inspired me back in the studio.

remains of staithe (digital photo) © Mari French 2012

remains of staithe (digital photo) © Mari French 2012

Reedbed (digital photo) © Mari French 2012

Reedbed (digital photo) © Mari French 2012

water depth scale (digital photo) © Mari French 2012

water depth scale (digital photo) © Mari French 2012

Saltmarsh 2 (mixed media on board) © Mari French 2012

Saltmarsh 2 (mixed media on board) © Mari French 2012

a winter eye…

a few recent textured, mixed-media works completed in the winter months of 2011…

after all the festivities and family commitments of Christmas I’ll be glad to get back to my easel again. A happy and peaceful 2012 to you all…

… may your winter eye be graced with stimulating images, wherever you encounter them.

winter sun © Mari French 2012

winter sun © Mari French 2012

hidden valley © Mari French 2012

hidden valley © Mari French 2012

limestone below © Mari French 2012

limestone below © Mari French 2012

blue field © Mari French 2012

blue field © Mari French 2012

sometimes…

sometimes I like to take photographs… especially in the interiors of some of the ancient – (up to 1000 year old, honestly) – village churches of Norfolk…

chairs (photo) © Mari French 2011

chairs (photo) © Mari French 2011

the less primped and fussed about with the better (because some of them are a bit grand and I’m not interested in those)…

bibles (photo) © Mari French 2011

bibles (photo) © Mari French 2011

the intention, eventually, is to produce a body of mixed-meda work based on impressions of these serene places… I love the flaking plaster and ageing woodwork and subtle changing light… the unexpected still lives that present themselves…

gauge (photo) © Mari French 2011

in the meantime this is what I’ve been up to…

urns (photo) © Mari French 2011

urns (photo) © Mari French 2011

face (photo) © Mari French 2011

face (photo) © Mari French 2011

latch (photo) © Mari French 2011

latch (photo) © Mari French 2011