
Rosedale Moor, Autumn © Mari French

Rosedale Moor, Autumn © Mari French
I recently spend time happily chasing ink around the pages of my new Moleskine watercolour sketch book up on the windswept moorlands of the North York Moors…
…perched in cold wind, bright sun, or under lowering black rainclouds – among some of the many local standing stones (called ‘Bridestones’).
I was using the tissue and acrylic ink technique I’ve been experimenting with over the last year, and in my outdoors sketching it works surprisingly well…
… it is so much more intense than watercolour (which I still use – sometimes in conjunction with the ink), with the advantage of being waterproof when dry. I only tend to use two or three colours, depending on the subject in front of me…
… I just love the way the colours bleed and flow, running into the tissue creases (where used). For me it’s the perfect technique for rapidly capturing the texture, colour and moodiness of light on the North York Moors.
…a few sketches from a recent exploration along local country lanes, during the harvest season, led to some promising experimental imagery…
above… I thought purple skies in a couple of instances would get across the heat of the summer day better than the usual blue.
at last … I discovered that this particular blue/purple crop (below) I’d noticed recently, was the herb Borage (nice edible flowers), and not flax or linseed, which seemed more prevalent last year.
…and subsequent experimental images, created as soon as I got back, inspired by the field imagery, using ink-stained tissue paper, sponge rollers etc, deliberately avoiding using usual media like pencil, brushes… I want to take these further sometime soon.