moorland textures…

Lower Bridestones, Sleights Moor © Mari French 2012

Lower Bridestones, Sleights Moor © Mari French 2012

I recently spend time happily chasing ink around the pages of my new Moleskine watercolour sketch book up on the windswept moorlands of the North York Moors…

Bridestone, North York Moors © Mari French 2012

Bridestone, North York Moors © Mari French 2012

…perched in cold wind, bright sun, or under lowering black rainclouds – among some of the many local standing stones (called ‘Bridestones’).

sketchbook © Mari French 2012

sketchbook © Mari French 2012

I was using the tissue and acrylic ink technique I’ve been experimenting with over the last year, and in my outdoors sketching it works surprisingly well…

… it is so much more intense than watercolour (which I still use – sometimes in conjunction with the ink), with the advantage of being waterproof when dry. I only tend to use two or three colours, depending on the subject in front of me…

Bridestone, Sleights Moor © Mari French 2012

Bridestone, Sleights Moor © Mari French 2012

… I just love the way the colours bleed and flow, running into the tissue creases (where used). For me it’s the perfect technique for rapidly capturing the texture, colour and moodiness of light on the North York Moors.

Rain, Sleights Moor © Mari French 2012

Rain, Sleights Moor © Mari French 2012

Rain, Rosedale Moor © Mari French 2012

Rain, Rosedale Moor © Mari French 2012

Peat cuttings, Rosedale Moor © Mari French 2012

Peat cuttings, Rosedale Moor © Mari French 2012

Above Rosedale Moor, North York Moors © Mari French 2012

Above Rosedale Moor, North York Moors © Mari French 2012

Venice … flower of stone

Gallery

This gallery contains 19 photos.

I’ve always been a little sceptical of the claim that it’s possible to fall in love with a city… until my first visit to Venice back in May 2012… … a week spent mainly in the Canareggio district where most … Continue reading

silver linings…

the heavy rain is back but it can have benefits for the artist…

I find it much more interesting to sketch looming storm clouds whilst sitting in a car looking out over summer farmland and empty country lanes, than sunshine and blue skies…

Storm clouds near Shernbourne, Norfolk

Storm clouds near Shernbourne, Norfolk
© Mari French 2011

Exploring quiet country lanes between Anmer, Shelbourne and Ingoldisthorpe on monday, I came across these fields of ripening barley and a field of purple/blue flowers (crop?) which I couldn’t identify.

Blue field under stormy sky, Ingoldisthorpe, Norfolk

Blue field under stormy sky, Ingoldisthorpe, Norfolk
© Mari French 2012

I used oil pastel here for quick blocking in of features before flowing wet in wet watercolour over the top (first time I’ve tried this technique outdoors and it gives useful, speedy and lively results as the pastel acts as a resist to the paint. I like the broken colour and flecks of paint that result.

Barley field under storm clouds near Anmer, July '12

Barley field under storm clouds near Anmer, July ’12
© Mari French 2012

I was listening to ‘The Quiet Room’ from the album ‘Piano Stories’ by Debbie Wiseman –  a piece of music which goes well with the subject and place for me.

I’ve built up a library of atmospheric music via I-Tunes from noting pieces heard on Classic FM/BBC Radio 3 and the like.