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About Mari French RI

Mari French is emerging as one of East Anglia's most respected abstract painters. She grew up in Manchester close to the Pennine Hills, originally working as a graphic designer. She then lived for several years on the Isle of Skye developing her abstract landscapes. Mari now lives in Norfolk, working as a full-time artist, from her studio on a former 1930s RAF airbase. The roots of her paintings lie in her deep-seated affinity with landscape and weather, capturing the elemental forces of wild and less-visited landscapes. She says about her creative process “I try to evoke the shift of weather and light on a place and this is reflected in the sense of movement and change in the work itself. I sketch on location but in the studio I work instinctively, using a variety of media to evoke my experience of a place rather than a representation”. Mari has exhibited widely; she regularly exhibits with the Royal Institute of Painters in Watercolours (RI) at the Mall Galleries, London; she has also exhibited with The Royal Watercolour Society (RWS) at Bankside Gallery, London; was a finalist in Artist & Illustrator Magazine's 'Artist of the Year' 2016; and a finalist in The Sunday Times Watercolour Competition 2014. In 2022 she was elected a full member of the Royal Institute of Painters in Water Colours (RI). Her work has been featured in both the ‘Artist’ and ‘Artist & Illustrator’ magazines as well as in several art books and is held in private collections around the world.

winter on the Norfolk coast…

a couple of recent paintings inspired by the luminous light of the Norfolk coast in winter…

Quiet tide, acrylic on canvas, 60x60cm © Mari French 2011

Quiet tide, acrylic on canvas, 60x60cm © Mari French 2011

Holkham beach, winter. Acrylic on canvas. 40x40cm. © Mari French 2011. Sold

Holkham beach, winter. Acrylic on canvas. 40x40cm © Mari French 2011. Sold

the Japanese art of finding beauty in imperfection

Ancient landscapes series © Mari French 2010. Mixed media on panel. 30x30cm

Ancient landscapes series © Mari French 2010. Mixed media on panel. 30x30cm

I’ve recently been wondering whether there is a phrase or definition for my fascination with weathered surfaces – peeling paint, foxed mirrors, degraded surfaces (as in many of my textured works and flower paintings). So, I was grateful when a fellow artist, Alan Richmond, pointed me in the direction of artist Jazz Green’s website and her current ‘mouldscapes’ series of eerily beautiful, abstract textural images. My attention was particularly caught by one of her posts explaining her influences, which hit the nail on the head for me…

“I draw inspiration from elemental textures of erosion, dereliction, corrosion or quiet decay – striations and traces, surfaces & structures exposed the elements. This is reflected in my interest in Wabi Sabi, a Japanese aesthetic, of finding unassuming beauty or natural harmony in imperfection and transience.”
http://www.jazzgreen.com/artistjournal/on-art-wabi-sabi-and-the-garden

Inspired by the idea of Wabi Sabi, I looked it up further online and came up with the following (amongst many other posts)…

“Pared down to its barest essence, wabi-sabi is the Japanese art of finding beauty in imperfection and profundity in nature, of accepting the natural cycle of growth, decay, and death…
Sabi by itself means “the bloom of time.” It connotes natural progression-tarnish, hoariness, rust-the extinguished gloss of that which once sparkled. It’s the understanding that beauty is fleeting.

http://nobleharbor.com/tea/chado/WhatIsWabi-Sabi.htm

“Sabi is beauty or serenity that comes with age, when the life of the object and its impermanence are evidenced in its patina and wear, or in any visible repairs.
http://en.wikipedia.org/wiki/Wabi-sabi

So… now I know… Sabi
And I seem to share my fascination with many other artists around the world.
Thanks Alan, and Jazz!

a passion for flowers…

'Yellow tulips in old jug' acrylic/mixed-media on canvas © Mari French

'Yellow tulips in old jug' acrylic/mixed-media on canvas © Mari French

I came across this painting of tulips that I did a couple of years ago (bought by a hotelier on the Isle of Skye where we used to live). It made me realise I haven’t painted flowers for some time, yet I get enormous pleasure from them, especially tulips.

Some of my flower paintings have been rendered in more of a ‘grunge’ style as I think of it eg. ‘Roses and old wall’ (below) – I love the fragility of the petals juxtaposed with the texture of the peeling paint and old plaster. I’m not interested in painting ‘pretty pretty’ pictures of flowers, although I like to think my paintings give the flowers a kind of different beauty. My dilemma is if I describe my subject matter as ‘landscape, coast and flowers’ or similar, it inevitably sounds like I do the ‘pretty’ style. Any suggestions or opinions on how I might describe this style would be welcome.

'Roses and old wall' 40x80 acrylic/mixed-media on canvas © Mari French

'Roses and old wall' 40x80 acrylic/mixed-media on canvas © Mari French