about…

Standing before a fresh support, a brush loaded with paint or ink, ready to execute the first bold gestures is incredibly exciting and liberating. While working I pace back and forth in front of the easel, often listening to music, rarely standing still. It’s a whole body experience and I work pretty fast in those early stages.

I’m an abstract mixed media artist inspired by the liminal landscapes of coastline, salt marsh and moorland; I also have a passion for contemporary florals. My work reflects my experience of landscape through the layering and eroding of media and the use of energetic mark making, creating a rich surface history with an emphasis on space and light. A limited palette gives harmony and coherence, resulting in work that stands alone but still owes a debt to its subject. My design background often emerges in my artworks through effective colour combinations, strong composition and use of typography.

I sketch on location to fix impressions of a place in my mind, but rather than referring to my sketches/photographs once back at the studio, I rely on those impressions to emerge intuitively in the work and I take advantage of accidental effects and imagery as they arise.

I was born and grew up in Manchester. Always interested in art, I studied Art and Design at Stockport College as a mature student, followed by a 20 year career in graphic design. In 1995 I moved to the Isle of Skye where I lived for 15 years developing and exhibiting increasingly abstract landscapes. I now live not far from the glorious North Norfolk coastline, working as a full-time artist, from my studio on a former 1930s RAF airbase.

I have exhibited widely in both group and solo shows. My work has been annually selected for the Royal Institute of Painters in Water Colours (RI) at the Mall Galleries, London, since 2016, and in 2022 I was elected an RI member. I was a finalist in the Sunday Times Watercolour Competition in 2014, and a finalist in Artist & Illustrator Magazine ‘Artist of the Year’ 2016, both at the Mall Galleries. My work is held in private collections worldwide.

SELECTED EXHIBITING HISTORY:

Royal Institute of Painters in Water Colours, Mall Galleries, 2016-2023.
Spring Gallery, Cheltenham, ‘Wintertide’ with Little Buckland Gallery, 2023
The Bircham Gallery, Holt, North Norfolk, ‘New Faces’ and Summer Exhibition, 2023.
Little Buckland Gallery, Broadway, Worcestershire, group exhibitions, 2021-2023.
Gallery East, Woodbridge, Suffolk, duo & group exhibitions, 2019-2022.
Babylon Arts, Ely, Cambridgeshire, ‘No Frost at Night’, commissioned group exhibition, 2021.
Royal Watercolour Society, Contemporary Watercolours, Bankside Gallery, 2018/2019. 
Grapevine Contemporary, Burnham Market, Norfolk, solo & group exhibitions, 2009-2019. 
Gallery Different, London, group exhibition (with Sheridan Russell), 2018/2022.
Sheridan Russell Gallery, Fresh and Affordable Art Fairs, 2014-2017.
Cricket Fine Art, Summer exhibition, Chelsea, London, 2017.
Thompsons Gallery, Aldeburgh, Suffolk, mixed exhibitions, 2013-2017.
Artists & Illustrators Artist of the Year, Finalist, Mall Galleries, 2016.
Cley Contemporary 16, North Norfolk Exhibition Project, 2016.
The Sutton Gallery, Edinburgh, group exhibition, 2015.
Sunday Times Watercolour Exhibition, finalist, Mall Galleries, 2014.
Highgate Contemporary, London, ‘Inside Out’, joint exhibition, 2012. 
Greyfriars Art Space, King’s Lynn, solo exhibitions, 2012-2014. 
Inchmore Gallery, Inverness, solo & group exhibitions, 2006/2007. 
An Tuireann Art Gallery, Isle of Skye, group exhibitions, 2005/2006.

SELECTED PRESS & PUBLICATIONS:

EAVA zine ‘Pilgrimages’, @eavazine, June 2021.
Artists and Illustrators magazine, Fresh Paint feature, September 2020.
‘The Woven Tale Press’ Literature & Fine Art Magazine, featured artist, October, 2019.
‘Painting clouds and skies in oils’, guest artist, Mo Teeuw, Crowood Press 2017.
The Artist Magazine, featured artist, July 2016.
‘Blyth Spirit’, Alan Marshall, Mascot Media 2014.
KL magazine, featured artist, 2014.
‘How artists see East Anglian Places’, Green Pebble 2010.

12 thoughts on “about…

  1. I enjoy looking at your work, Mari, particularly your abstractions of the Norfolk saltmarshes, which I used to visit regularly. Do you have any plans to publish your work as a book?

    • Hi Glenis, I’m so pleased you enjoy my work and that you can relate to the saltmarsh works. I’ve actually been in discussions with someone who works in publishing and is interested in out producing a series of small books (‘Zines) on my work. Each would be on a theme and I feel Saltmarshes will be one of them. I’m excited about the project but as we’re both very busy this spring it may be a little while before it gets underway. If you subscribe to my studio newsletter or follow my social media you’ll be kept up-to-date on proceedings. Thanks for your interest.

    • I have Nigel, and no it’s not a daft question 😉
      my life as a serious artist took off when I lived on Skye, so much inspiration, you can imagine!
      the move to Norfolk was challenging from the inspiration side of things. though we both love living here, it’s taken a couple of years to find my new passion – the saltmarsh coast; it has a bleak beauty and grandeur all of its own. Norfolk is also well placed for exploring other areas of UK and Europe, so I can see upcoming bodies of work inspired by the North York Moors and Venice.

      • Hello Mari…

        Thanks I knew you had lots of new work from your wonderful paintings on this blog but its that exact transition I was wondering about.

        When I moved to Ireland I had to change a lot of my own visual interests and this took time like yourself. I love your Salt march images Mari and I can see how you can and will dig very deep into these areas as a source for your work.

        I am just starting to look at the peat bogs as I love the work of this artist http://www.pastelsocietyofireland.org/#/sam-mateer/4568792497

        I may even get painting and drawing again!

        Thank you Mari

        Nigel

        • I can imagine the peat bogs of Ireland would be an interesting source of inspiration, Neil. Those pastel images remind me very much of parts of Skye and the Uists. My mum was from Northern Ireland, though her family originated in Co Clare, so you never know, I may end up painting over there one day 🙂
          Thanks for the interesting feedback and chat!

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